Iranian Armenians rallied to commemorate the 101st anniversary of the Armenian genocide by the Ottoman Empire, demanding the Turkish government to recognize the Armenian Genocide. In Tehran a memorial service was held at the St. Sarkis Cathedral.
Three Iranian players with three different religions scored goals in the same international match, that Iran won with 3:0.
It was during the AFC World Cup 2018 Qualification game against India.
Iranian national team’ goals in the match, held in Indian city of Bangalore, were scored by three different players:
Sardar Azmoun, who scored the first goal for Iran, is born in Gonbad-e Kavus in north-eastern Iran into a Sunni family. He is an Iranian Turkmen, and speaks fluently both languages: Turkmen and Persian.
Iran’s second goal was scored by Andranik Teymourian, an Iranian Armenian. Teymourian has become the first Christian to lead Iran’s national football team as its permanent captain.
Some very interesting article on Andranik Teymourian: https://theotheriran.com/tag/andranik-teymourian/
Mehdi Taremi, who is Shiite like many other Iranians, scored last goal in a match that ended with the hosts suffering a 3-0 defeat against Iran in the 2018 FIFA World Cup Qualifier match at Kanteerava Stadium.
Other interesting articles and photo series regarding Iran’s minorities: https://theotheriran.com/tag/minorities/
In the Armenian Church the Holy Muron is prepared and blessed every seven years. It is composed of olive oil and forty-eight aromas and flowers. The remaining portion of the previous blessed holy oil is poured into the newly prepared oil during the blessing ceremony and passes the blessing from generation to generation. It is said that this very procedure has been followed for nearly 1700 years.
The Catholicos of all Armenians in Etchmiadzin combines a new mixture of holy muron in the cauldron every seven years using a portion of the holy muron from the previous blend. This is distributed to all of the Armenian churches throughout the world. Here are some photos of this years ceremony in Tehran’s St. Sarkis Cathedral:
More post about Iranian Christians: Click here
More information about the ceremony can be found here: Wikipedia
Hannibal Alkhas (1930 – 2010) was a Christian Iranian sculptor, painter and author that lived in the US as well as in Iran. His work is deeply inspired by the ancient bas-reliefs and stone sculptures of Ancient Assyria, Babylon and Daric-Persia.
Alkhas’ students are displaying their latest works in an exhibit being held in memory of the artist. It will run until June 21 at Laleh Gallery in Tehran.
The exhibit showcases works by artists like Reza Bangiz, Bahram Dabiri, Rozita Sharafjahan, Taraneh Sadeghian, Niloufar Ghaderinejad, Ahmad Vakili, Ali Nedaee, Nasser Mohammadi, Masoud Saadeddin, Katayoun Moghaddam, Hadi ziaeddini, Hamed Sahihi, and others.
Hannibal Alkhas (1930 – 2010) was a Christian Iranian sculptor, painter and author. His work is deeply inspired by the ancient bas-reliefs and stone sculptures of Ancient Assyria, Babylon and Daric-Persia.
Alkhas was born in 1930 in Kermanshah, Iran, and died in California on Sept. 14, 2010. His father was Assyrian writer Rabi Adai Alkhas and his uncle, John Alkhas, is one of the most famous Assyrian poets in the 20th century.
After spending his childhood and teenage years in Kermanshah, Ahwaz and Tehran, Hannibal Alkhas moved in 1951 to the United States and studied philosophy for three years at Loyola University of Chicago, Illinois. In 1958 he received his Masters of Fine Arts from the Art Institute of Chicago.
In 1959, after the death of his father he returned to Iran and began to teach painting, drawing, and art history at The Tehran School of Fine Arts”. During this time he established the successful “Gilgamesh” gallery, the first modern art gallery in Iran where aspiring young artists were introduced.
In 1963 he returned to the United States and taught at “Monticello College” in Illinois where he became the chairman of the art department. In 1969 Alkhas again returned to Iran and spent the next eleven years teaching at Tehran University.
In 1980, back in the United States where he stayed for the next twelve years he taught art at the Assyrian American Civic Club in Turlock, private colleges, and at the University of California at Berkeley and Los Angeles.
From 1992 on, he taught at diferent campuses of the Azad Isalmic University of Iran while he also taught painting privately and worked as an art critic writer in various Iranian magazines. His painting style sought to vitalize the historic processes within the passing moment, using past and present separately and simultaneously whether through content or form, he mixed expressions from six thousand years ago, today and the future.
Alkhas also illustrated book covers and translated Hafez’ lyrics into Assyrian. Before his death he was working on the completion of his Assyrian reproduction of the tragedy of Rustam and Sohrab, which was to have a happy ending. He hold a number of one-man shows, group art exhibitions, and traveling exhibitions in Southern Iran, South Korea, Europe, Canada, Australia, Cyprus and Israel. Aside from being displayed in his own gallery, his paintings are featured in the Fine Arts Museum and Gallery of Modern Art in Tehran and the Helena d’ Museum in Tel Aviv.