Tehran and other major cities like Rasht, Shiraz, Kerman, Ahvaz, Urmia, and Isfahan celebrated Earth Hour 2016. Iran has taken part of this universal movement, switching of the lights of important elements all over the country since 2011.
Earth Hour is a worldwide movement for the planet organized by the World Wide Fund for Nature (WWF). The event is held annually encouraging individuals, communities, households and businesses to turn off their non-essential lights for one hour, from 8:30 to 9:30 p.m. towards the end of March, as a symbol for their commitment to the planet. It was famously started as a lights-off event in Sydney, Australia in 2007. Since then it has grown to engage more than 7000 cities and towns worldwide.
The Music Museum in Isfahan is a private museum opened thanks to the efforts of two masters in traditional Iranian music. The museum is divided in different sectors: national and local instruments, photgraphs, a teaching music hall and a rehearsal hall.
Isfahan hosted the 3rd Naqsh-e-Jahan Cup, a show jumping competition. For three days more than 200 riders fromIsfahan,Tehran, Fars,Qom,Tabriz,ZanjanandKerman competed in different classes and categories (children, teen, youth and adults).
Show Jumping, also known as “stadium jumping”, “open jumping”, or simply “jumping”, is a part of a group of English riding equestrian events that also includes dressage, eventing, hunters, and equitation. Jumping classes are commonly seen at horse shows throughout the world, including the Olympics. International competitions are governed by the rules of the International Federation for Equestrian Sports (FEI).
The Zayanderud River, as largest river in the central plateau of Iran, starts in the Zagros Mountains and flows 400 kilometres eastward before ending in the Gavkhouni swamp, a seasonal salt lake, southeast of Isfahan city.
The name, meaning “Forty Columns” in Persian, was inspired by the twenty slender wooden columns supporting the entrance pavilion, which, when reflected in the waters of the fountain, are said to appear to be forty.
As with Ali Qapu, the palace contains many frescoes and paintings on ceramic. Many of the ceramic panels have been dispersed and are now in the possession of major museums in the west. They depict specific historical scenes. […]
There are also less historical, but even more aesthetic compositions in the traditional miniature style which celebrate the joy of life and love.
Ālī Qāpū (from Ottoman Turkish Âli Qapı – “High Porte“) is a grand palace in Isfahan, Iran.
It is forty-eight meters high and there are seven floors, each accessible by a difficult spiral staircase. In the sixth floor music room, deep circular niches are found in the walls, having not only aesthetic value, but also acoustic.
The building, another wonderful Safavid edifice, was built by decree of Shah Abbas the Great in the early seventeenth century. It was here that the great monarch used to entertain noble visitors, and foreign ambassadors.
The chancellery was stationed on the first floor. On the sixth, the royal reception and banquets were held. The largest rooms are found on this floor. The stucco decoration of the banquet hall abounds in motif of various vessels and cups. The sixth floor was popularly called (the music room).
Here various ensembles performed music and sang songs. From the upper galleries, the Safavid ruler watched polo, maneuvers and the horse-racing opposite the square of Naqsh-i-Jahan.