Born in 1977, in Gachsaran, close to the old city of Shiraz, Heidari directs documentaries and films about the lives of the people who come from his region. In 2012, Heidari directed his very first full-length documentary about the life of the eccentric and touching figure of Negahdar Jamali from Shiraz.
In 2013, Heidari directed another documentary, also on the life of an eccentric and touching person with a dream; Hamid Saeed, one of the best-known Iranian musicians with African roots.
One day while I was taking photos in Shiraz’s old neighborhood near the bazaar where century-old houses were falling into ruin I saw some beautiful writing on a wall which said “don’t know”.
I took a picture of the wall. As I was editing the photo and looking again at the writing it made me wonder about the person who wrote it? Did he or she write the words in a good mood or were they in a philosophical state of mind?
Rumi, the great Persian poet and philosopher wrote that “I” is a euphoric state — “What I know, what I know”. This “I” is what I think about when I take photos — it has become my overall concept for the Shiraz Street Photos series.
These old neighbourhoods serve as my photo workshop, the walls are my interior design and I carry my studio on my back. The subjects of these portraits stand in front of walls scrawlled with text — text full of sadness, happiness, pleasure, love, but also full of hope for life.
Apart from text, these walls incorporate other elements such as telephone and electrical cables, heater vents, and cracks, which make this environment even more attractive to me. These people represent the “don’t know” text on the walls. One can view them from an anthropological perspective — the geographic sections of the city of Shiraz become the backdrops for its’ inhabitants. In all of the photos the subjects look somewhat surreal. Kamran Heidari’s on Shiraz Street Photo Series
2014: “Good News from Iran”, Pasinger Fabrik, Munich Germany (Isfahan Gate Series and Shiraz Street Photos Series) – Curators: Stefan-Maria Mittendorf and Mojgan Endjavi-Barbé
2004: “Dash Akol” (Documentary, 18min)
2006: Mohammad Bahman Beigi (Documentary, 40min)
2006: The Big Red (Short film, 14min)
2007: Comfortably Numb (Feature, 85min)
2008: At the End of Perfect day (Documentary, 50min)
2010: The Dead Sea (Documentary, 30min)
2011: Mola Sadra (Documentary, 30min)
2012: My name is Negahdar Jamali and I make westerns (Documentary, 65min)
2014: Dingomaro – Iran’s Black South (Documentary, 45min)