Aaran Gallery hosted one of Barbad Golshiri’s versions of ‘Curriculum Mortis’, that portrays concepts related to death and graveyards.

“I am a taphographer [1], I make grave markers, for the past fifteen years I take pictures of graves and burials and I make frottages on epitaphs of those eliminated only to distribute them. I have also made cenotaphs [2]. Memorials too, for the dead and the living. All these frame Curriculum Mortis. It is true to say that Curriculum Mortis  is not a series. I cannot make series.” […]
– Barbad Golshiri on the catalogue of the exhibition

About Barbad Golshiri
Barbad Golshiri is an Iranian contemporary artist, born in 1982 in Tehran, Iran. His father was Houshang Golshiri, a famous Iranian writer. He studied painting at The School of Art and Architecture, Azad University, Tehran. He has worked both as a media artist and a critic. He works with video, digital media, installation, photography, the internet, graphic novels and Lettrism. He won the third prize of the 6th Tehran Contemporary Painting Biennial, Tehran Museum of Contemporary Art. (More information: Wikipedia | Barbad Golshiri)

To read the review of the New York Times (Sep 19th, 2013) of one of Barbad Golshiri’s versions of ‘Curriculum Mortis’ click here.

Comments
[1] Tapographer: A tapographer is a copier of tombstones.
[2] Cenotaph: A cenotaph is an “empty tomb” or a monument erected in honour of a person or group of people whose remains are elsewhere. It can also be the initial tomb for a person who has since been reinterred elsewhere.

Sources: Honar Online, Instagram @aarangallerytehran, tandismag.com, Tehran Times, Aaran Gallery, Wikipedia | Barbad Golshiri, Proceedings of the New Jersey Historical Society, Wikipedia | Cenotaph